Saturday 5th February Please do come and please spread the word…. This record impresses me because it's the first time I've seen a band be more interesting at their debut than many bands are in their whole career. But somehow it still works. It would have made for a catchy hook if her delivery wasn't so flaccid, or if the song picked up in intensity again. But that's what makes this record so appealing. Classic early Sonic Youth at its finest. The riffing is dissonant and metallic. It's like seeing Sonic Youth without it's clothes on I know, at their current age that's the last image you want in your mind
And not that they wouldn't make a living off of this unique approach, this is just where it's most at the forefront and the focal point of their music. It's like looking under the hood of a beautiful car to see what drives it and seeing a bunch of messy parts all jumbled around with nothing holding them together but maybe a mangy piece of twine. Saturday 5th February Please do come and please spread the word…. Idols is a great album. Stephen Parr is an archivist, image maker and curator. That honor belongs mostly to records like Daydream Nation, Sister, Goo, Dirty, or any other album, really. Perhaps moreso than any of their later records does this show Sonic Youth's fascination with alternate tunings and different textures and sounds. My one last complaint would probably be related to recording quality. In the past,they have performed with instruments varied from earthworms to theramins. And dark, frightening, and manic ones at that. There is no reason for Freezer Burn to drag on so long in the beginning other than for its jarring transition from silence to Stooges cover, and there's no reason for there to be two-drawn out spoken word songs in a row. This album is a gem of the No Wave scene. Highly recommended, even essential, for all Sonic Youth fans. The flaws here are attributable to most bands in their early years. Of course, this is where they were the closest from being removed from the influence of Glenn Branca, so this fascination isn't terribly surprising. Heck, if Kim screaming "I'll shake off your flesh" doesn't force chills down your spine, maybe you're a little too calloused. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. At least "Making the Nature Scene" has the neat bells-and-clocks texture going for it, but "Confusion Is Next" is incredibly annoying due to Thurston Moore's lack of ability to deliver lines without sounding like a whiny snot. Parr currently curates Oddball Films a twice weekly film series, and is the director of Oddball Film Video www. On the subject of vocals and delivery, it should be noted that this is not stuff to hum along to. But I really wish I could hear more of the dissonance, more of the drone, feel more of the texture, and less of the hiss that sometimes infringes upon the more interesting aspects of this album. But more importantly, it impresses me because even 30 years later, the guitar work still stands up as being more uniquely textured, novel, and alive than anything else I've ever heard. However, her screaming "I'll shake off your flesh! For more information send your queries to experimentaindia gmail. With that said, I'm glad that this record is so Kim-centric.
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