Kalyan Chatterjee as Paresh Pal, a clay artist and a police informer. Most of the crowd in the climax were not actors. According to news reports, she met doctors and pregnant women to learn about the typical lifestyle and nuances of a pregnant woman, and also made lists of rules and superstitions followed by pregnant women. Ghosh said that this delicate romance was "the most progressive thing" in the film—a suggestion that a man could fall in love with a pregnant woman. Das, the guest house owner. Chatterjee devised the mannerism of rubbing his nails together as some Indians believe doing that helps prevent hair loss. He also believed that audience might expect more screen-time from a better-known actor.
He also acknowledges the influence of Mahanagar , another Ray film noted for its portrayal of Kolkata. Siddiqui, who had only had minor roles in Bollywood up to that time, was surprised that for the first time he would not have to portray a beggar. Kolkata is a cheaper location than Mumbai or Delhi, where most Bollywood films are shot. He also believed that audience might expect more screen-time from a better-known actor. Further discussions led to the inclusion of paunch and a bald patch. This alludes to a similar scene in Ray's Joi Baba Felunath In one scene, Vidya asks the manager of the guest house why there is no hot water although the signboard had claimed "running hot water". Kalyan Chatterjee as Paresh Pal, a clay artist and a police informer. According to news reports, she met doctors and pregnant women to learn about the typical lifestyle and nuances of a pregnant woman, and also made lists of rules and superstitions followed by pregnant women. Filming took place on the streets of Kolkata, where Ghosh often employed the art of guerrilla filmmaking shooting in real locations without any previous knowledge given to onlookers to avoid unwanted attention. The manager explains that the sign refers for his errand boy, who runs to deliver hot water in a kettle whenever required. He signed Bengali actor Abir Chatterjee to play Vidya's husband. Ghosh expresses his inspiration from Ray's Aranyer Dinratri in which Ray "wanted the audience to be inside the car with the four guys all the time. Choosing a room with windows overlooking a busy road, he proceeded to give it an old-fashioned look by replacing the windows' designer grilles with old-fashioned wooden ones, and by painting the room with some rough patches. Khan smokes a relatively cheap brand of cigarette Gold Flake despite his high official post; Siddiqui had smoked that brand of cigarette throughout his struggling days in Bollywood and thereafter. Gradually, the fascinated boy moves into a zone where he tries to protect her. He emphasised that the deliberate ordinariness of Bob Biswas was portrayed so convincingly by Chatterjee that the viewers can expect Bob to be around them at any time and any place. The friend had mistakenly imagined sequences which he assumed to be parts of the plot, from which the twist ending was derived. According to the director, he was inspired by particular scenes of Ray's Nayak to plan the portrayal of complex emotional issues between Vidya and the police officer Rana, especially Rana's awe in the presence of Vidya. He had to approach several producers to finance him for Kahaani, but was refused  and discouraged from making the film owing to three factors: Ghosh acknowledges the allusions to Ray's films. The mannerism was well-noted and praised by the viewers. The director explained that the boy was initially "fascinated by someone who is literally a hero in his eyes", as Rana was awed by the computer skills of Vidya. He thought there were suitable actors in Hindi film industry for the role. Some reviewers note that a major protagonist is Kolkata itself, which is "brimming with warm, sympathetic inhabitants". Having described the skeleton of the story to a friend during its development, the friend called him back a few days later to enquire about his film. Most of the crowd in the climax were not actors.
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