One of the reasons that Canadian film does so poorly here is that there is nowhere to screen them. The parallell between him and Egoyan is that they both have particular styles and both have their audiences as small as they may be and they both have actors who are keen to work with them. I personally love film theory and think it makes film even more interesting, but not everyone is like me. How about something involving the Red Violin? This is not a snark, i promise:
If I had to do it all over, I would have went to a different school where I could have majored in production. It is not for everyone. I happen to know some of the local KINOfolks, and could probably put you in touch with them, if you like. But we do find out in the course that Quebecois film is tops and anglo-Can film is bottoms. With over 24, entries, of which 10, are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. How about something involving the Red Violin? Personally, I find it disgusting that my tax dollars fund films by the above filmmakers. But if Joe and Joanne have to fund it I may have said this before but having Can Film, Film History until and Aesthetics all at the same time demonstrates how shitty Can film really is. I think it's one of the best films of the decade and certainly underrrated. Not that there aren't any other interesting Canadian filmmakers -- just that they are probably the two most prominent. At least in assembling all the big ones it is. If you don't want to do any research, you're in trouble. And if it's NOT going to count for something, why not fund someone who hasn't had a chance to flush my money down the toilet? What about Ivan Reitman? When push comes to shove I'm for gov't funding for the arts. But you know, this isn't for the world, it's for a class. To be honest, if avoiding the library is a main goal you could probably cobble a paper together simply by digging through the NFB's site. Is he making more movies? I'm not a passive film viewer and even though I have other interests I would like to pursue this further. I have seen so many movies that are just shocking as to how utterly complex and thematic something can be. A real easy subject would be to talk about Cronenberg and sexuality. So my original idea was "Americans are represented like salesman in many Canadian films". Despite the fact that I'm a student of cinema studies at a Canadian university, I don't know much about Canadian film outside your Cronenbergs and Egoyans. It's certainly an interesting film if one's familiar with the, um, cinematic climate of the time, and it is most definitely an anomaly. The most accurate depiction of Canada ever captured on film posted by inksyndicate at
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