After all, Mae West had made a name for herself, even if it was only on the East coast. Adapted from a script written by West, the film's daily revisions and production disagreements hampered production from the beginning. In , West was offered a leading role in Roustabout , starring Elvis Presley. Wayne State University Press. However, as a writer, as an auteur, as an actress, performer and public persona, she challenged the questions and boundaries of gender, race and class; through her wit and comic acts she transgressed those boundaries while, in fact, she hardly ever did or said anything with which she actually committed those transgressions, while she always appeared to do so.
In general, all humor critics agree that the production and use of humor is a male privilege and if a woman ventures into this field, she loses her femininity and by all means, her possible status as a woman proper. Over Her Dead Body. A Glossary of Literary Terms. She was delivered at home by an aunt who was a midwife. For instance, in her play Sex, which was one of her greatest successes and scandals at the same time, the protagonist is precisely a prostitute and, as Lillian Schlissel claims: These women who dare to intellectually challenge the men such as the femme fatale or the female comedian directly or indirectly seeks the sexual attentions of those men in a more or less veiled manner Riviere 36 in order to cover her intellect and ambition with her sexuality. Besides, because it was a supporting role, what could they lose? She turned the role down, and Barbara Stanwyck was cast in her place. Throughout her life West promoted social and cultural equality of disadvantaged groups and minorities by using humor, especially gendered humor within cultural interactions, helping the social and cultural recognition and acceptance of issues related to class, race and gender, especially advocating the problems of feminism and homosexuality. Having enjoyed acclaim in New York, she knew that in Hollywood she was a nobody. Days after the broadcast, the studio received letters calling the show "immoral" and "obscene" by societies for the protection of morals. Obviously, West never shied away from getting dirty — in every sense of the word — and while she immensely enjoyed it, capitalized on it while never regretting anything. Death, Femininity and the Aesthetic. She was larger than life, a myth, who managed to be so controversial that both critics and audiences can hardly agree on what and who she was exactly. If she can do it, then we all can do it, too. Still smarting from the censorship debacle of The Heat's On, and the constraints placed on her characterization, she declined. She told Ameche in the show to "get me a big one I interviewed her for The Sunday Express in She was 75, looked 20 years younger and had just released an album of rock songs. Mae West, Sex and Popular culture. West, in spite of being a woman writer as well as performer, acted in the same way while also being very sexual and erotic. This was the only film for which West was virtually not allowed to write her own dialogue and, as a result, the film suffered. However, what is even more important is why those women who dare to venture into the realm of comedy and humor are still seen dangerous and are prone to constitute a threat: Humor has been mostly related to the masculine, and humor theorists in general agree on the following sentences: My view is that she did all this on purpose and exactly to cover up her masculinity. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame. Thew and John Bright.
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