For Kipnis, the atmosphere around Title IX meant that the critical, inquiring spirit of women students was being suppressed. Not that this makes it any less of a threat. She puts it in the tradition of Rabelais. Their final report, published in February, recommends a mechanism of independent investigation. The glee with which such instances are seized on by those wanting to diminish harassment as a feminist issue is notable. Kipnis is open about the pleasure she gets as a woman writing about men: Sexual harassment, we might then say, is the great male performative, the act through which a man aims to convince his target, not only that he is the one with the power — which is true — but also that his power and his sexuality are one and the same thing. She would probably take that as a compliment.
She also demonstrates that the Title IX investigators in this case, and in others, were heavily inclined towards the plaintiff. Such moments may indeed give us pause. By contrast — and this is one of the least commented on aspects of campus sexual harassment — women graduate students who have been on the receiving end as often as not fall by the professional wayside. Why, at a time when misogyny and assaults against women show no sign of diminishing, would they not be a little more cautious about sex? Hesitantly, Grigoriadis admits to not believing every student plaintiff, although she has no doubt that the call to believe women has resulted in a welcome sea-change. It is also sometimes unclear in these cases who is acting on behalf of whom. I take it as a sign of its latent energy. More institutions and public figures were to follow — from news anchors and comedians to MPs, publishers, schoolteachers and Benedictine monks — but they had less screen potential. In her hands, telling stories — her own story, the stories she invents — is the place where impossible paths meet. Anti-rape activists have long insisted that no woman should feel obliged to make a formal complaint: It too tells the lurid story of a rape, with which — and this is one of the strengths of her writing — race and class are given full recognition: It struck me then that she was being offered as a trade-off or collateral damage in the effort to bring such violence to an end. It too was published in Far from being a sign of mental disturbance, this might instead be grounds for hope: Gay has been accused of exploitation. I take these examples from the cases of Ludlow the first two , Sulkowicz and Liam Allan respectively. I have lost count of the number of times people have expressed outrage at the mere suggestion of a proximity, on the grounds that it tars the innocent at worst, thoughtless and the guilty at worst, serial predators with the same brush. They are violated, but they also cut through life with exceptional energy and determination. Untamed State is the title of her first novel. A fat body stands as a terrifying rebuke to anyone who foolishly believes that their mortal bodies, not to speak of their inner lives, could ever be truly under control. Even allowing that she is driven by the wish that women claim back their sexual agency the feminist aspect of this way of proceeding escapes me. Or being paraded across the red carpet on Oscar night. For psychoanalysis, unconscious fantasy, as distinct from conscious fantasy or daydream, is not something you want to happen; indeed it is something that would horrify you if it happened in real life. She is being measured: Or indeed about so-called passivity, a term that could itself do with some undoing. Grigoriadis also talks to a group of young women whose casual attitude to sex extends to assault, the reality of which they dismiss, even while rolling their eyes at male boorishness. We also need to look beyond Westminster and Hollywood.
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